The Reunion

My friend Miriam and me at the Ryerson Radio and Televison Arts Twenty-Fifth reunion in 2012 (photo by Jo-Ann Cook). (Um... I'm the one on the left.)

"Ryerson RTA Twenty-Fifth Reunion" is a repost from an earlier version of Assorted Nonsense

This was an interesting experience.

I think a lot of us that attended were skeptical whether we'd have a good time. And afterward a lot of us were amazed that we'd had such a good time. In retrospect maybe this shouldn't be such a surprise. RTA was a program of like-minded people. Maybe it shouldn't come as such a surprise that we'd be comfortable with one another after so much time.

So much time. Twenty-five years. We were different people then. At least I was. Nineteen years old when I started the program. I remember being quite insecure. There were a lot of people in RTA who, although around the same age as me, seemed infinitely more sophisticated than me. Maybe because I grew up in a small town in Prince Edward Island, whereas a lot of them grew up in Toronto. Or maybe that's just who we were. I had a scraggly moustache back then, and wore unstylish glasses, and had a lousy haircut. I remember thinking on an instinctive level that a lot of my fellow students were somehow better than me. Smarter. Cooler. Better. They weren't, of course. We were all the same. (Except Alison George. She might have been a little better. Just by a hair. But the rest? All the same.)

I think a lot of students were skeptical of the program when we graduated. A lot of money, and three years of our lives. For what? Well now, twenty-five years later, I know what. It launched my entire career at the CBC. Got me in the door, gave me the vocabulary. Gave me some really good friends that have lasted a lifetime. Some I've stayed in touch with, the rest I met again after way too long two weeks ago in downtown Toronto.

Like Miriam, pictured above. When she saw me, she said, "You don't know me, do you?" I had last seen her the night of our graduation party at Stop 33 in the Sutton Place Hotel.

Like an idiot I glanced at her name tag. I did know her, but I couldn't resist confirming her name, just in case. "I do so know you," I said. "You're responsible for one of the most excruciatingly embarrassing incidents in my life."

Of course she wanted to know what, and frankly I wanted to get it off my chest, so I told her.

The last time I'd seen her, at the end of the graduation party, she went to kiss my cheek. A double cheek kiss, like the French do (Miriam's Irish, so maybe it's just a European thing). Like I mentioned above, I'm from PEI, and I didn't really know anything about this double cheek kissing thing. So I didn't know what to do.

Our heads wound up positioned in such a way that I could not reach her cheek with my lips. I thought it necessary to make contact with her cheek in some way.

I wound up licking it.

I know!

The instant I did it I was horrified. What had I done? Our eyes met. She was clearly flabbergasted. Until that moment we had been friends. I had, in an instant, been reduced to a freak. A man who licked women's cheeks.

And I carried that with me for twenty-five years, the sort of memory that made me cry out, "Oh God!" whenever I remembered it, where ever I was. Especially after living in France for a while, where I finally mastered the double-cheek kiss.

So I told Miriam about this ghastly incident, and of course she laughed and said, "I don't remember that at all," and we chatted for a long time, and I learned all about her life, and she about mine, and then we mingled and chatted with everyone else.

And I really hope we don't have to wait another twenty-five years to do it again.

Joe Mahoney

Joe Mahoney is an author/publisher/broadcaster, recently retired from the Canadian Broadcasting Corporation, where, for over more than three decades, he worked in several roles including recording engineer, producer, and several operational management roles. He currently runs Donovan Street Press Inc., an indie press based in Riverview, New Brunswick.

Joe is the author of the SF novel A Time and a Place and the memoir Adventures in the Radio Trade. He's written and produced several radio shows on science fiction for CBC Radio, and has worked as a story editor on multiple radio, television and film projects including CBC Radio's Steve the First and Steve the Second, both seasons of Canadia: 2056, Canadian author and filmmaker Susan Rodger's feature film Still the Water, and more.

https://www.joemahoney.ca
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